Back in 2015, I parted company with my publisher and got the rights back to my four Casey Holland mysteries and cover art. It was an amicable arrangement and I purchased unsold stock at a really reasonable price. Until COVID, I was selling copies of those four books at various craft fairs, festivals, and other events until COVID.
I ran out of stock on the first book, The Opposite of Dark, so I reformatted the book to match the formatting I did for books five and six. What I didn’t do was create a paperback version on Amazon. Given that my publisher sold few print books through that venue, I never seriously considered this option. In fact, the vast majority of indie authors I know sell few print books on Amazon.
As I suspected, the book cover art that my publisher gave me no longer fits. With my formatting, the font is slightly larger to make the text more readable, but it also adds 40 pages to the book. After discussion with a colleague and some fiddling with my daughter’s help, the cover still won’t fit. It looks like I’ll need to have all four covers reformatted by a professional, which I’m hoping my jacket designer can do.
I haven’t reformatted the other three books yet. I’m down to between 50 and 100 copies of each book, which will last a couple of years or more, depending on how soon craft fairs reopen. Honestly, though, reformatting is a finicky, time-consuming process, especially when I’m busy editing new work and marketing my ebooks. So, now I’m wondering if it’s worth the time and effort to redo the print books now, when I won’t need them for some time and they’re not likely to sell on Amazon. The thing is, I don’t plan to sell at craft fairs indefinitely. I’ve done it for seven or eight years now and, on some levels, I’m ready to wind down that part of my writing life.
I’m curious to know if those of you who are authors consider it essential to have a paperback version of your books available on Amazon and other platforms?
It feels like a long time since I released my fifth Casey Holland mystery Knock Knock, in November 2017, but a heck of a lot has happened since then. Through it all, I’ve been slowly editing draft after draft of the next installment, The Blade Man.
I reached a point in May where I felt that I’d completed as many drafts as I could, and it was time to send the manuscript to my editor. I was in no rush, but as it happened, my editor had a sudden opening in her schedule, and she finished the edits by mid-June.
Last week, I began making the editorial changes. I’ve also acquired ISBNs for the print and ebook, and have contacted my designer, who’s slotted me in for December. I don’t have an exact launch date yet and probably won’t for a while. There’s plenty of prep work to do in the meantime and when it is published, I will celebrate.
This book has been a long time in the making. I remember first meeting the person (over a coffee at Starbucks) who became my technical advisor on bus-driving issues. That was over seven years ago. At that time, my publisher was working on bringing out book #3, Beneath the Bleak New Moon. Book #4, The Deep End, was probably on its fourth or fifth draft, and Knock Knock was still in its early stages.
I therefore knew it would be quite some time before this book would be published, but finally that date is on my radar.
A Casey Holland novella won’t be too far behind (I hope) which will be completely unlike any Casey story I’ve written. It explores the lighter side of her transit security work in all it’s raunchy, awkward, and humorous glory. But I’m getting ahead of myself…stay tuned!
Every indie author knows that there are essentially three major components in a writers’ life. Writing, producing, and marketing a book. My last Casey Holland mystery, Knock Knock, was released in November 2017.
I’m coming close to the final edit of the sixth installment, The Blade Man. An email to my editor last week marked the beginning of the production process, but truthfully, I’m in no hurry to publish yet. There’s a lot to think about regarding a book launch and other marketing plans.
Those who’ve published books, know all too well that there are a number of steps in the production process…hiring a jacket designer, acquiring ISBN numbers for electronic and print versions. Preparing the front and back matter, and of course, writing the all-important back cover blurb. As an increasing number of book reviewers require a synopsis, I’ll also spend a fair bit of time polishing a one-page version as well. There’s also the budget to work out.
It’s not all daunting, though. I use Draft2Digital and KDP to convert my documents into epub, Mobi versions, and so forth. The conversion is quick and simple for both, however, proofreading is still required as glitches occur. I haven’t quite decided what to do about preparing the print version, given that CreateSpace is no longer around. I could go the KDP route, but I want to do a little more research about the ups and downs to this approach.
If any Canadian colleagues out there, have production pros and cons regarding KDP, please let me know. Things change so rapidly in this business that I often feel that I’m starting out fresh with every published book. Sometimes the work ahead is overwhelming, but other times it’s exciting. Most of the time it’s both. Either way, I’m easing into production mode and looking forward to the future.