After participating in several craft fairs this year, my anecdotal observations pretty much confirm the experiences of previous years, which are:
. Print still sells. My books won’t sell nearly as well by sitting on a bookstore shelf with thousands of other titles. Also, some of my customers said that they tried ebooks but didn’t like them. Sure, a few use iPads and Kindles, but people just don’t seem as excited about them as they once did.
. Customers are shocked to learn that the Chapters chain here in Canada collects 55% of every book sold. It’s the main reason I prefer to sell directly to readers, along with the fact that, in the past, my returned books have been damaged.
. The overwhelming majority of young families understandably don’t have time to read. Those pushing strollers rarely stopped by my table to browse unless they were shopping for a mystery fan in their family, which leads to point four.
. Mystery reader demographics haven’t changed in the 20+ years I’ve been selling books. The largest purchasers, and readers, of mysteries are women between forty-five and seventy-five years of age.
. New or would-be writers are still quite confused about whether to self-publish, find an agent, or look for a traditional publisher. I try to give sound advice without going into a long pros and cons list. Mainly, I ask them to think about what they want out of the publishing experience, and to do some research.
Since fees are charged (and they can be quite steep) to acquire a table at craft fairs, and there is often a jurying process, selling at these venues is always a gamble. You never know until the fair is well underway if you’ll earn your money back. As a vendor recently said to me, it’s always a rush when things are going better than expected, but you can’t count on the same results every year. It’s risky to base your expectations on previous year’s successes. So, we’ll see what happens next year because I’ll definitely participate again. I guess it’s the gambler in me.