Back in January, one of my goals was to create audiobook versions of my mystery novels. I began reading up on the topic and one information source, in particular, caught my eye. In fact, information from the Alliance of Independent Authors (ALLi) is making me rethinking my strategy because this is where I first learned of Audiblegate.
Some of you might be familiar with the term, but Audiblegate apparently stems from an author pressure group known as TERM, The Equitable Rights Movement. They created a campaign known as Audiblegate after determining that there were consistent and significant discrepancies on royalty statements from Amazon with regard to their ACX platform. Of particular concern was Amazon’s “easy exchange and refund” program. They discovered that Amazon was paying for customer refunds through authors’ share of royalties and not their own resource fund, which wasn’t stipulated in the contracts.
This is a simplified version of events and there’s much more to this story. Rather than repeat it all, I encourage you to check out the full background story HERE. There’s also a great piece by a writing colleague from my neck of the woods, Colleen Cross. As a professional accountant and mystery author who has several audiobooks on the market, Colleen’s been digging into the accounting side of things and made some troubling discoveries. Please read her piece on “Should You Sell Your Audiobook Rights?” HERE.
While Amazon has made some improvements and adjustments to their refund program (though not nearly enough for some) they haven’t compensated authors for lost royalties. If you are interested in keeping up to date with developments, check out the Facebook page that’s been set up to address this issue HERE.
Upon further reading, my takeaway is that all is not lost as far as deciding whether to venture into audiobooks. There are several other publishing options with good distribution that don’t involve Amazon at all. One of these is Findaway Voices, a company that works with Draft2Digital. D2D already lists my books for sale via Kobo, Nook, and Apple, among others. Still, I need to do more research on Findaway.
This Audiblegate saga isn’t over, but it does demonstrate how careful we have to be when starting a new venture. Things become sticky when key players either change the rules or don’t clearly spell out the rules in the first place. Meanwhile, if any of you have published audiobooks, I’d love to hear about your experience.
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